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St. Paul's was partially destroyed in World War II, particularly its interior, which now has a modern appearance. It was quickly and symbolically rebuilt after the war; today it is used mainly for exhibitions and events.

The view towards downtown Frankfurt from shopping street

Archäologischer Garten Frankfurt

The Archaeological Garden contains small parts of the oldest recovered buildings: an ancient Roman settlement and the Frankfurt Royal Palace ( Kaiserpfalz Frankfurt ) from the 6th century. The garden is located between the Römerberg and the Cathedral. It was discovered after World War II when the area was heavily bombed and later partly rebuilt. The remains were preserved and are now open to the public. There are plans underway to construct a building on top of the garden but anyhow it is decided that the garden will stay open to the public.

Haus Wertheim

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district that survived the heavy bombings of World War II undamaged. It is located on the Römerberg next to the Historical Museum.


The Saalhof is the oldest conserved building in the Altstadt district and dates to the 12th century. It was used as an exhibition hall by Dutch clothiers when trade fairs were held during the 14th and 15th century. The Saalhof was partly destroyed in World War II and later rebuilt. Today it serves as a part of the Historical Museum .

Eiserner Steg

The Eiserner Steg (Iron Bridge) is a pedestrian-only bridge across the Main that connects Römerberg and Sachsenhausen. It was built in 1868 and was the second bridge to cross the river. After World War II, when it was blown up by the Wehrmacht , it was quickly rebuilt in 1946. Today some 10,000 people cross the bridge on a daily basis.

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, now a concert hall, at Opernplatz

Alte Oper

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, hence the name "Old Opera". The opera house was built in 1880 by architect Richard Lucae. It was one of the major opera houses in Germany until it was heavily damaged in World War II. Until the late 1970s, it was a ruin, nicknamed "Germany's most beautiful ruin". Former Frankfurt Vince Kruger Slide Sneakers Black Discount Manchester Great Sale Cheap Clearance For Cheap For Sale Discount Footaction Outlet Low Price Fee Shipping SR22xqjHC
Rudi Arndt called for blowing it up in the 1960s, which earned him the nickname "Dynamite-Rudi". (Later on, Arndt said he never had meant his suggestion seriously.)

Public pressure led to its refurbishment and reopening in 1981. Today, it functions as a famous concert hall, while operas are performed at the "new" Frankfurt Opera. The inscription on the Marsèll cut out laceup shoes Black Cheap Find Great Sale Inexpensive 8Po1gH
of the Alte Oper says: " Dem Wahren, Schönen, Guten " ("To the true, the beautiful, the good").

Yet Brenna offered a Siegfried persuasively young and nimble, both vocally and physically. If his sound sometimes lacked the heft to quite fill the War Memorial, particularly in the lusty Forging Song at the end of Act 1, he more than compensated with the purity of his tone and the delicacy of his phrasing. There was a winning insouciance to his communion with nature in the Act 2 “Forest Murmurs” interlude (even with no forest in sight), and he mustered all his considerable musical eloquence for the enormous love duet with Brünnhilde that concludes the opera.

Perhaps most telling was the climactic Act 3 showdown with the Wanderer (the now-aged Wotan in disguise). This is by some reckonings the heart of the opera — the clash of generations in which the old must give way to the young — and it gained force through the work of both Brenna and bass-baritone Greer Grimsley.

Of all the characters who reappear over the course of the “Ring,” Wotan is the one who changes most tellingly. And Grimsley’s performance across three nights has been remarkable not only for its individual splendors but for the assurance with which he has traced that long dramatic arc.

After moving from the spry, ambitious and amoral world-beater of “ Das Rheingold ” to the grave father figure of “ Die Walküre ,” he offered yet another transformation in the Wanderer — grizzled, rueful and weary, but still capable of mustering the rage and authority of a god. You could hear the toll of years in his singing, which now operated in shades of gray and umber; you could tell, even if those around him couldn’t, that he was settling accounts and preparing to pack it in.

And that in turn made Grimsley’s one-on-one interactions with the other performers especially nuanced and poignant. In Act 1, the extended exchange of riddles with Mime (tenor David Cangelosi, in a performance of brilliance and integrity) felt more fraught than usual, a probing of wisdom rather than a simple recap of prior events.

The all-seeing Erda, sung with gleaming intensity by mezzo-soprano Ronnita Miller, seemed to share in the Wanderer’s decline; their Act 3 colloquy was an uneasy reunion of long-ago lovers. And in the overweening Alberich of bass-baritone Falk Struckmann — a virtuoso display of robust, glowering malice — Grimsley had an antagonist with whom he could go toe-to-toe.

Soprano Iréne Theorin’s Brünnhilde slept patiently atop her rock until it was time to bring the opera to a close in a flood of accurately launched volleys of sound and a deeply affecting vein of emotional turmoil. Raymond Aceto was an imposing Fafner — the dragon here reimagined as a sort of biomorphic steampunk backhoe-cum-lunar-lander — and soprano Stacey Tappan warbled beautifully as the Forest Bird, whom Zambello has conceived as a “bird” in the sense used in mod ’60s London.

In the pit, conductor Donald Runnicles embodied both of the evening’s themes simultaneously, once again leading the Opera Orchestra through a vibrant performance marked by the drive of an ambitious young go-getter and the sagacity of an elder statesman. Unlike in the drama itself, those qualities found no conflict in his work.

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Definition of mR

\ ˈmis-tər , in rapid speech especially in sense 2 (ˌ)mis(t) \
1 used as a conventional title of courtesy except when usage requires the substitution of a title of rank or an honorific or professional title before a man's surname
2 used in direct address as a conventional title of respect before a man's title of office
3 used before the name of a place, profession, or activity or before an epithet (such as ) to form a title applied to a male viewed as representative of the thing indicated

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from Middle English, abbreviation of master; abbreviation of , from French, plural of
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First Known Use: 15th century

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Definition of for English Language Learners

\ ˈmi-stər \
used as a title before a man's name
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